Transaction

bceda26e94ddf4776eec1db4d0817e75612f2a9c7c389269a93fd4d89a2b7ba8
Timestamp (utc)
2025-11-23 22:49:18
Fee Paid
0.00000115 BSV
(
0.02682261 BSV
-
0.02682146 BSV
)
Fee Rate
17.52 sat/KB
Version
1
Confirmations
2,756
Size Stats
6,562 B

5 Outputs

Total Output:
0.02682146 BSV
  • jMm{"protocol":"BSV_CHAT","version":"1.0","type":"message","messageType":"MUSEUM_ARTIFACT","roomType":"museum","roomId":"spells_of_genesis_museum","roomName":"Spells of Genesis Museum","from":"1AB4yKQ1dTxse36haLfAtf3SYtfC3EUfdz","senderName":"honey","content":"Posted artifact: BADROMANCE","artifact":{"cardName":"BADROMANCE","displayTitle":"Bad Romance - Pop Culture Meets Crypto Culture","counterpartyAsset":"BADROMANCE","era":"genesis","eraLabel":"Genesis Era (2014-2015)","issueYear":"2014-2015","image":{"url":"https://img.spellsofgenesis.com/fullartwork/3042.jpg"},"historical":{"narrative":"By 2017, when BADROMANCE was minted as a Spells of Genesis card, Lady Gaga's iconic anthem had been circulating through global culture for eight years - almost the exact same lifespan as Bitcoin itself at that point. Released on October 23, 2009, just ten months after Bitcoin's genesis block, \"Bad Romance\" became one of the defining cultural artifacts of the same era that birthed cryptocurrency. This card commemorates that parallel evolution of two revolutionary forces: pop culture and blockchain technology.\n\nIn late 2009, the world was still reeling from the 2008 financial crisis. Traditional institutions had failed spectacularly, trust in centralized systems was shattered, and people were hungry for alternatives - in both finance and culture. Into this void came two very different but equally disruptive phenomena. Bitcoin offered a radically decentralized vision of money, powered by cryptographic proof rather than institutional trust. Lady Gaga offered a radically redefined vision of pop stardom, powered by artistic authenticity and the embrace of outsider identity rather than manufactured perfection.\n\n\"Bad Romance\" wasn't just a hit song - it was a cultural earthquake. The track topped charts in over twenty countries, ultimately selling 12 million copies worldwide. The music video, with its surreal bathhouse imagery and dystopian themes of commodification and revenge, became briefly the most-viewed video on YouTube in 2010. At the 2010 MTV Video Music Awards, it received a record ten nominations and won seven, including Video of the Year. In 2021, Billboard would name it the best music video of the 21st century - a testament to its enduring cultural impact.\n\nWhat made \"Bad Romance\" resonate so powerfully was its willingness to embrace contradiction and complexity. The song explored toxic attraction, the dark side of fame, and the price of desire, all wrapped in an irresistibly catchy electropop package. Gaga herself explained that she wrote it about feeling lonely in relationships and being attracted to unhealthy romances - a vulnerability that millions connected with. The famous hook featuring nonsense syllables became as recognizable worldwide as any phrase in the English language.\n\nLady Gaga called her fans \"Little Monsters,\" creating one of the first truly global digital fan communities built on the principle of celebrating difference and rejecting conformity. This ethos mirrored the early Bitcoin community - digital outsiders who gathered on forums and mailing lists, united by the belief that the existing financial system was broken and that technology could forge a better path. Both communities embraced their outsider status, both challenged centralized authority, and both attracted people who felt failed by traditional systems.\n\nBy 2017, when this card was issued, both Lady Gaga and Bitcoin had evolved dramatically but remained true to their revolutionary roots. Bitcoin had survived multiple boom-and-bust cycles, scaling debates, and endless predictions of its demise. It was trading above $2,000 and beginning its historic run to nearly $20,000 by year's end. Gaga had proven she wasn't a one-album wonder - she'd released multiple successful albums, won numerous Grammys, starred in American Horror Story, and performed at the Super Bowl LI halftime show in early 2017, reminding the world why she'd become an icon.\n\nThe timing of BADROMANCE's minting in 2017 is significant. This was the year crypto went mainstream, with unprecedented media attention, institutional interest, and retail investor participation. It was also the year that the blockchain and entertainment worlds began seriously exploring their intersection - the seeds of what would become the NFT boom were being planted. Lady Gaga herself would enter the NFT space in 2021 with her GAGA/MARAT digital artwork, and the team behind her Little Monsters community would launch an NFT marketplace called Folio in 2022.\n\nBADROMANCE captures a moment when two forms of cultural rebellion - one artistic, one technological - existed in parallel without yet fully recognizing their kinship. In 2009, Bitcoin enthusiasts and Gaga fans would have seemed to inhabit completely different worlds. By 2017, those worlds were beginning to converge. And by the 2020s, the intersection of blockchain technology and popular culture would become a defining characteristic of digital life.\n\nThe card serves as both time capsule and prophecy - commemorating the iconic pop anthem that defined a generation while acknowledging that the blockchain revolution born in the same era would eventually transform how we think about art, music, ownership, and fan engagement. It celebrates the moment when getting \"caught in a bad romance\" became a global phenomenon, and the parallel moment when getting caught up in a decentralized financial revolution was still the domain of dedicated believers and early adopters.\n\nIn the end, both \"Bad Romance\" and Bitcoin taught the same lesson: sometimes the most powerful innovations come from embracing what traditional systems reject, celebrating what conventional wisdom mocks, and building communities around shared visions that establishment institutions don't yet understand. Both demanded that we reexamine our assumptions about value, authenticity, and what it means to own something - whether that's a piece of music, a moment of cultural history, or a unit of digital currency."},"assetData":{"links":{"tokenscan":"https://tokenscan.io/asset/BADROMANCE","xchain":"https://xchain.io/asset/BADROMANCE"}}},"timestamp":1763936734197,"triggerAmount":551,"recipientAmount":546}
    https://whatsonchain.com/tx/bceda26e94ddf4776eec1db4d0817e75612f2a9c7c389269a93fd4d89a2b7ba8