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jmetaB021a76737fb8b09b488634e6788fa7085ab7519e6831d81faba41ab1c47fcbb23b@83541816dbb1dc4bfb06b114084f86c48511dcbc871c73b6aac896c7310308e9metaidNftIssue-021a76737fb8Mf{"type":"sensible","receiverAddress":"19Cmf4Dpccgwy2H3HDLMT5wLdRuoWqKrEd","genesisId":"9a5cf9084f4b59ad79e1585cab527619be36a447","genesisTxid":"5382c3215b8b7e246432330f2266e57a6ef89b73f0ae79e4d2b79d9a39af70b0","sensibleId":"b070af399a9db7d2e479aef0739bf86e7ae566220f333264247e8b5b21c3825300000000","name":"敦煌《五百强盗成佛图》得眼听法","website":"","issuerName":"敦煌市广至传媒","desc":"《五百强盗成佛图》是敦煌285窟西魏壁画中的主体画。该窟壁画是西魏代表作，绘制于西魏大统四年至五年（538—539），距今近1500年历史。也是佛教中最早的因缘故事画。\n\n该壁画所展示的故事是在古印度的憍萨罗国有五百个强盗，国王派装备精良地大军前去镇压，所以强盗很快战败被捕，并将其刺瞎后放逐山林。强盗的痛哭声传到了佛祖耳中，佛祖心生怜悯，以神通力散下雪山香药治好了强盗的眼睛，并为强盗讲经说法。五百强盗受到感化遂皈依佛门，隐居山林，参禅入定，最后修成正果觉悟为五百位罗汉。\n\n该壁画在此题材中不仅年代最早，而且画面构图也是最完美的，该组画共有八个场景，从激烈的战斗开始，到强盗战败被官兵俘虏、受刑、出家等结束，整个画面有动到静，充分地体现了“放下屠刀，立地成佛”的佛教思想。","icon":"metafile://2f1beb3116af27e830a03a9f5aed19576872f59ec7ae42f661928e0f68b8402c.png","attachment":"metafile://d12de26d7cec76a6314986d7a7a8078af09d4e9acbb46c74c425c2771cfe4d11.gif","data":{"nftType":"1","classifyList":["art"],"num":7638}}
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