Transaction

jmetaB021fb134c497a1e3cdd16c609a4358ac9815e6ade3137b8615a78c713a8a97a12d@e5710acede31ab8b5c2860e28a48cbe658c364e3decb47b7d5eb8c199bf1f60bmetaidSimpleMicroblog-021fb134c49Mƒ{"createTime":1619516001274,"content":"唐人书法得晋韵者，惟此卷也\n\n魏晋风度体现在书法上就是韵味。韵，神韵，气韵，晋人尚韵大多指的是二王所开创的行书，行书最具中和之美，有一种从容不迫的气度，而这种中和美更能体现在作品的风韵与神采。\n自晋入唐，书法从尚韵步入尚法，而纵观整个唐朝，最得晋韵的书法家，不是别人，正是陆柬之。\n\n陆柬之，初唐书法家，得虞世南亲传。虞书笔致圆融遒逸、萧散洒落，是王氏一脉的传承，对陆书有较深影响。陆柬之继承了魏、晋以来的传统，又博采众家之长，字体秀丽，笔法圆润流畅、外柔内刚，雄秀之气出于天然。代表作《头陀寺碑》、《急就章》、《龙华寺额》、《武丘东山碑》，可惜均已失传，仅《文赋》传世。\n","contentType":"text/plain","quoteTx":"","attachments":["metafile://70a4f378a6a4891ebe6b9176fdf57919be55fda33f20d0e96aa5892cbec425a6","metafile://2418320429640a30f3283a26ac976a23fcd84cb706f9a0176782fbfb4c783320","metafile://b8758786d37c2052fa0f0eca745a58c2f091aabc1ae5d3dbba5c2ad813e7861b","metafile://a5ab4d7bbfb59653249178f8f83c565ebe9c74e1dcdd389ca1847f4d472ff6e7","metafile://5be3e2fb4ce37d8b881c5b234775adacb5cd4756072ceb8596ea23f1f34c4ca4","metafile://95af497c6a669f30f11ac7cd6c0606da62e40b883ed2c0dd2f3744cdc90a43a6","metafile://ac660e99b4fcdab6ffea306264a2892c812be2d2f1c7fd99da5884de8b90cf84","metafile://29014adb3098d40bf6ccd8c9509734782fbb0127a3ebfddcdf10fa1fc9801110","metafile://b7d9d3cc1e7f7912414810d50e55892e2af100678f5ad9797dfd98bbdb9f1d21"],"mention":[]}
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