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jmetaB03cd947bfbb363aac5008e652b89ce973c878190b68750ab4d39e5aebde46f80ef@7556e8ab68ed4157d5fe28d7a1ec5faaf22be697222eaac45459ee36971a0b3fmetaidNftIssue-03cd947bfbb3MJ{"type":"sensible","receiverAddress":"1ARVfDP1hLzSzSWLtiEsV2iXXdVFbfYg3g","genesisId":"8b32f9359adb0cc1f2cec0564374ce4eedfa43c2","genesisTxid":"7e5fd7a7318a84a5aedb8ce0580cc4eb9ea6d598b5df0c4eaf86e271bf7bba9c","sensibleId":"9cba7bbf71e286af4e0cdfb598d5a69eebc40c58e08cdbaea5848a31a7d75f7e00000000","name":"Web3先锋银章","website":"","issuerName":"敦煌市广至传媒","desc":"《五百强盗成佛图》是敦煌285窟西魏壁画中的主体画。该窟壁画是西魏代表作，绘制于西魏大统四年至五年（538—539），距今近1500年历史。也是佛教中最早的因缘故事画。\n\n该壁画所展示的故事是在古印度的憍萨罗国有五百个强盗，国王派装备精良地大军前去镇压，所以强盗很快战败被捕，并将其刺瞎后放逐山林。强盗的痛哭声传到了佛祖耳中，佛祖心生怜悯，以神通力散下雪山香药治好了强盗的眼睛，并为强盗讲经说法。五百强盗受到感化遂皈依佛门，隐居山林，参禅入定，最后修成正果觉悟为五百位罗汉。\n\n该壁画在此题材中不仅年代最早，而且画面构图也是最完美的，该组画共有八个场景，从激烈的战斗开始，到强盗战败被官兵俘虏、受刑、出家等结束，整个画面有动到静，充分地体现了“放下屠刀，立地成佛”的佛教思想。","icon":"metafile://2bf4749da1238bbbbf74a33196da34fe9203d8f93de78bccec6d54cd56c0e68a.png","attachment":"metafile://810b7892f01e4a7519a020c5385c196db08e591e50a6256650bb5866dad3ec1c.gif","data":{"nftType":"1","classifyList":["art"],"num":10753}}
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