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jmetaB0322d353f849065c52c5c81a2f56c3e62de4a54232b305e2c860371f3eb0482080@7556e8ab68ed4157d5fe28d7a1ec5faaf22be697222eaac45459ee36971a0b3fmetaidNftIssue-0322d353f849MJ{"type":"sensible","receiverAddress":"1ARVfDP1hLzSzSWLtiEsV2iXXdVFbfYg3g","genesisId":"73b907d16fbb3b25858ba2b1390f2577d340181c","genesisTxid":"c5e6821b67a8d22fd2c0ed6ddea799421a763a5e134a05f26846dc762592eca8","sensibleId":"a8ec922576dc4668f2054a135e3a761a4299a7de6dedc0d22fd2a8671b82e6c500000000","name":"Web3先锋徽章","website":"","issuerName":"敦煌市广至传媒","desc":"《五百强盗成佛图》是敦煌285窟西魏壁画中的主体画。该窟壁画是西魏代表作，绘制于西魏大统四年至五年（538—539），距今近1500年历史。也是佛教中最早的因缘故事画。\n\n该壁画所展示的故事是在古印度的憍萨罗国有五百个强盗，国王派装备精良地大军前去镇压，所以强盗很快战败被捕，并将其刺瞎后放逐山林。强盗的痛哭声传到了佛祖耳中，佛祖心生怜悯，以神通力散下雪山香药治好了强盗的眼睛，并为强盗讲经说法。五百强盗受到感化遂皈依佛门，隐居山林，参禅入定，最后修成正果觉悟为五百位罗汉。\n\n该壁画在此题材中不仅年代最早，而且画面构图也是最完美的，该组画共有八个场景，从激烈的战斗开始，到强盗战败被官兵俘虏、受刑、出家等结束，整个画面有动到静，充分地体现了“放下屠刀，立地成佛”的佛教思想。","icon":"metafile://587648e9163d79c2d405d4ae0a5776c9113d669ef502c665362a33f9ffa8e472.png","attachment":"metafile://4acff106a149296868b8e44703f2bcef1b6b49e48af2a77cee669604935f0a3f.glb","data":{"nftType":"1","classifyList":["art"],"num":46517}}
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